Yanni

I don’t really like to explain my songs.
Yanni

It has never been necessary for me to learn how to read music.
Yanni

Not being able to read and write music is not the same as being illiterate in speech and writing.
Yanni

Truth is the number one element in whatever you do with music.
Yanni

I dread naming pieces of music because being instrumental, most of the time the songs that I write are instrumental, I want the listener to make up their own story as to what it is and get the emotion pure without using logic.
Yanni

When you hear ‘Truth of Touch,’ I believe you recognize that it is me; however it’s not the typical Yanni album.
Yanni

And going into my studio at night, particularly at night when everybody’s asleep, is just a total pleasure for me.
Yanni

I am so happy that I didn’t go to school and I didn’t have anyone to tell me how to position my fingers on the piano correctly.
Yanni

Creativity is an inherent human quality of the highest order. When we create, we become more than the sum of our parts.
Yanni

Actually, with ‘Truth of Touch’ I wasn’t even intending on making an album. I was just having fun. I had about a six-month period of down time, and I’m not very good at sitting around. So I kind of started going into the studio and having fun with new core mendin sounds.
Yanni

I am so happy that I didn’t go to school and I didn’t have anyone to tell me how to position my fingers on the piano correctly. And what you do with music and what is the correct way to write it and what is not the correct way to write it.
Yanni

While most of the music I write is instrumental, I love to use the human voice as another instrument.
Yanni

When it comes down to music, I have no balance. I am 100 percent. It is like full throttle. Five hundred miles an hour.
Yanni

The good news is when you open up in Vegas, you have a lot of friends, because they all come over to see your opening night.
Yanni

I just would use any instrument known to man in any combination as long as it describes an emotion.
Yanni

New Age is a very small box. It was a term that was brought in by the music industry to classify music that is neither jazz, classical, pop or rock. They didn’t know what to call it or what to do with it. So they threw it all together under this one name.
Yanni

You accomplish what you want to accomplish. I just don’t ever want to hurt anybody doing it.
Yanni

Music is art, and once you become an artist, you need to learn how to accept criticism.
Yanni

When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture – it should fit the building behind you, the environment you are playing it in and the culture of that place.
Yanni

I don’t like to define my music. To me, music is pure emotion. It’s language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
Yanni

I love the road, and I love coming in contact with the fans. They talk to me and that’s irreplaceable. But when I get tired, I head to the studio and I am in there for a long time.
Yanni

My music is based on melody and when I play the piano, it’s as if I’m singing with them. When you try to transform that into a vocal, there was very little adjustment.
Yanni

A simple life is good with me. I don’t need a whole lot. For me, a T-shirt, a pair of shorts, barefoot on a beach and I’m happy.
Yanni

I do listen to a lot of music, but I don’t listen when I’m writing.
Yanni

If you are a professional, the speed with which you react to a potential problem separates the men from the boys.
Yanni

With instrumental music, it is traditionally hard to get exposure.
Yanni

There is no gender to my music. There’s no male or female voice, no trite lyrics or poetry. It’s much more abstract, so it lives with you longer.
Yanni

Being an athlete helps me get those grandiose emotions of pleasure and pain that are involved in sports.
Yanni

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Yanni 1

Yanni

Yanni, whose full name is Yiannis Chryssomallis, is a Greek-American composer, keyboardist, pianist, and music producer known for his distinctive style of instrumental music, often characterized as new age or contemporary instrumental. He was born on November 14, 1954, in Kalamata, Greece, and later became a naturalized American citizen.

Yanni gained widespread recognition and popularity in the 1980s and 1990s with his live concerts and albums featuring his original compositions. His music combines elements of classical, world, and electronic music, creating a unique and emotive sound. Some of his most famous compositions include “Santorini,” “Nostalgia,” and “Aria.”

Yanni is also known for his grand and visually stunning live performances, often held at iconic locations like the Acropolis in Athens, the Taj Mahal in India, and the Forbidden City in China. These concerts have been broadcast globally and have garnered a massive international fan base.

Throughout his career, Yanni has released numerous albums and has received multiple awards and accolades for his contributions to contemporary instrumental music. His music continues to resonate with audiences worldwide, making him one of the most recognizable and influential figures in the genre.

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